![]() I thought I could make the GH5 and S5 match decently well by using VLog in both… but evidently not, but I feel like I’m missing something. But when I apply the Panasonic LUT>709 converter, I can see how drastically different they are Like when they are both flat and in Premiere, they look very similar obviously because they’re flat. I feel like I might be using the wrong VLog converter LUT for the GH5? It’s as if this one wasn’t made for its footage, and only for the S5. I realize they aren’t identical cameras, but I must be missing something. But on my GH5 it really looks wonky and ugly and nowhere near the colors of the S5. The S5 works perfectly, the flat log footage comes to life and looks beautiful. I’m using the Panasonic VLog to 709 converter in-camera (for viewing/monitoring purposes) as well as in Adobe premiere as a LUT on top of the footage. I am starting to test out using VLog-L on my GH5 and I’m also using VLog on the S5 (in hopes to make them match decently well). With its ability to professionally emulate the appearance of cameras worth tens of thousands of dollars, you can certainly expect improvements when it comes to attaining better-looking, cinematic footage simply by adding this LUT to your post-production workflow.I am brand new to using VLog (used to use Natural). Overall, if you can spare the expense, the GHAlex LUT seems to be a worthwhile purchase. ![]() This includes scenarios such as high contrast or overexposed scenes, or in environments that lack a significant amount of light. While the GHAlex LUT can lead to more cinematic-looking footage, there may be some instances where the LUT won’t work entirely in your favor. To further push the film look, using the GHAlex LUT can produce less contrast, making it seem as if your camera has more dynamic range than it’s initially designed with.īecause of the gentler treatment of the highlights, coupled with greater dynamic range and more vivid skin tones, adding a color grade on top of the LUT provides you with more flexibility before you push your image further in post, helping you achieve better overall results in the end. The suggested look-up table also prioritizes skin tones and makes the skin seem more natural and pleasing. This can be seen in brighter areas of the image, such as the dress of a bride or the skin of the newlywed’s hand below.įurthermore, there is a noticeable, more vibrant color shift when using the GHAlex LUT. That being said, are the results worth paying $65 for a few strings of computer code? Gallagher used the LUTs on some of his old GH5 V-Log test footage to find out.Ĭompared to the traditional Rec.709 look-up table, the GHAlex LUT produces video with more pleasing colors, reminiscent of more cinema-grade cameras. Of course, you’d use each LUT depending on your shooting conditions, given that you can afford to spend whopping 35 for each preset. Filmmaker Cameron Gallagher has recently tested out the GHAlex look-up table as he who goes over the results attained along the way.įirst and foremost, GHAlex comes in two flavors: daylight and tungsten balance. Nevertheless, Emotive Color suggests a LUT that allows GH5 users to get the most out of their favorite mirrorless camera. As for devices like the GH5, however, getting the desired film look is much more challenging, to say the least. With a highly-esteemed acquisition tool like the ARRI ALEXA, it’s easy to capture cinematic images right off the bat since the intuitively-crafted image sensor of the ALEXA cameras is arguably the best in the world. In this case, this expression would refer to producing visual aesthetics with more balanced colors, higher dynamic range, gentle highlight roll-off, and true-to-life skin tones. While the Panasonic GH5 is touted as one of the most popular mirrorless cameras on the market these days, there is one struggle GH5/GH5s video shooters tend to encounter – how to make their footage look more cinematic.
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